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Practice Reading: Fill in The Blanks (Drag & Drop) ID: #44332 Seurat
Instructions
* Drag the correct answer into all target fields
Few    artists    discover    a    meaningful    direction    so    young    in    life.    Barely    into    his    twenties,    Georges    Seurat    did    just    this,    developing    one    of    the    most    lucid    classical    styles    since    the    fifteenth    century,    the    of    which    was    the    dot.    This    was    a    radical    departure    from    the    style    of    Impression    is    artists    such    as    Pissarro    and    Renoir.    Hitherto    the    unit    of    Impressionism    had    been    the    brush-stroke,    always    unpredictable    in    form-fat    or    thin,    clean    or    smeared,    streaky,    squidgy    or    transparent    -    and    mixed    to    conform    with    the    facts    of    sight.    Seurat    wanted    something    with    greater    than    that.    A    child    of    late    nineteenth-century    positivism    and    scientific    optimism,    Seurat    drew    on    studies    of    visual    colour    analysis    to    generate    his    own    incomparable    style.    The    most    work    of    this    nature    was    'The    Law    of    Simultaneous    Colour    Contrast',    written    by    Eugene    Chevreul.    

develop foundation essence influential intuitively acknowledged stability

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