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CELPIP Practice Reading: Reading for Viewpoints ID: #63230 Medium Keep the Crews, Set a Deadline

Read the following opinion column from a website.

I believe our province should make its film tax credit richer, and I also believe it should put an expiry date on the increase. Last year two American series chose to shoot in another province because its credit covered a larger share of local wages, and the work those series would have brought went with them. Matching that offer is reasonable. Writing a blank cheque is not.

Cassius Deschamps, president of the local screen guild, argues that empty sound stages cost the province skilled people. “When the stages go quiet, our best grips and electricians move to Toronto and do not come back,” he told the finance committee, citing payroll figures that show mid-career crew leaving after slow years. He wants the credit tied to hours worked by provincial residents, not to the fees paid to visiting stars. Rhiannon Kerrigan, a lobbyist for the province’s manufacturers, warns that an open-ended credit lets film productions outbid factories for electricians and warehouse space. A film industry is welcome, in her view, but not one whose support has no ceiling while other exporters get nothing comparable.

Navdeep Savard, the province’s finance minister, says that without a five-year end date and an independent count of jobs, a credit becomes permanent even after the productions leave. Savard supports a credit based on local hours if both of those are written into law before any rate increase. Winifred Baird, a regional development officer in the north, says richer credits should be judged by what they do for the caterers, hotels and equipment rental shops near each shoot, not by studio press releases. She backs keeping crews at home, and like Kerrigan she wants a public cap on the support that any one industry can receive.

I come down closest to Savard. The guild’s payroll figures have convinced me that crews leave when the stages go dark, and it would sadden me if film careers in my province ended at forty. But Kerrigan’s warning is not special pleading, because a credit with no end date would quietly become the most generous subsidy we offer. Raise the credit, tie it to local hours, and let it expire in five years unless the job count shows it worked. Bettina Quesnel writes about business and the arts every other Tuesday.

Using the drop-down menu (▾), choose the best option according to the information given on the website.

This column is mainly about 1.
.

Who most clearly worries that skilled workers will leave the province for good? 2.
.

Rhiannon Kerrigan’s position would most likely be supported by 3.
.

What outcome does Navdeep Savard’s condition call for? 4.
.

The columnist’s main purpose is to 5.
.

The following is a comment by a visitor to the website page. Complete the comment by choosing the best option to fill in each blank.

I teach high school drama in Steinbach, and several of my former students now build sets and hang lights for a living, so this column mattered to me more than most. You explain that two American series chose another province because 6.
, which I had honestly not heard before. The finance minister warns that this kind of support 7.
, and that describes half the programs I have seen in my lifetime. Winifred Baird wants credits judged by 8.
, which seems a much fairer test to me. Like the columnist, I do not want film careers to 9.
anywhere in this province. Rhiannon Kerrigan accepts a film industry, but not one whose support 10.
, and I am completely with her there.

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