Read the following passage.
A. Emily Carr was born in Victoria, British Columbia, in 1871, in a house built for her father, a merchant. She showed a talent for drawing as a child, and in 1891 she went to study at the California School of Design in San Francisco. A shortage of family money brought her home in 1893, and she taught art to children. Later she travelled to England with money saved from teaching and enrolled at the Westminster School of Art in London. Those years were hard. In 1903 she became ill with nervous strain and severe headaches, and she spent just over 14 months in a sanatorium before she returned to Victoria in 1904.
B. A stay in France in 1910 and 1911 changed the way Carr painted. Working outdoors in Brittany, she began to use vivid colours and bold outlines in the new French style called Post-Impressionism. Back in Vancouver in 1912, she showed more than 70 paintings from her time in France. That summer she travelled north to First Nations villages on the Skeena River and Haida Gwaii, and she made totem poles the centre of her pictures. She tried to persuade the provincial government to buy this collection, but she did not succeed.
C. For the next 14 years, Carr's main work was running an apartment building in Victoria called Hill House. She also bred sheepdogs and sold about 350 of them. In later life she said she had stopped painting in this period, but in fact she kept painting and showing her work. Her position changed in 1927, when Eric Brown, the director of the National Gallery of Canada, included her paintings in an exhibition in Ottawa. On that trip she met the painter Lawren Harris, leader of the Group of Seven. He suggested that she turn from the villages to the landscape, and she then painted the dense forests of the coast.
D. After a heart attack in 1937, Carr spent more time writing. Her book Klee Wyck, a collection of stories about her travels in the province and her meetings with First Nations people, was published in 1941 and won a Governor General's Award. She died in Victoria in 1945. Her pictures of the northern villages are now a disputed part of her work. Parks Canada still calls them a valuable record of those villages, but since the early 1990s some critics have felt that she knew little about First Nations art and took its images and stories for her own use.
E. Not given in any of the above paragraphs.
Decide which paragraph, A to D, has the information given in each statement below. Select E if the information is not given in any of the paragraphs.